I got to see the new Star Trek movie a couple of weeks ago, and it was okay. Way too much CGI-wowness and far too little story, imo, but at least it made money so they'll continue to spew them out and might even get better at it at some point.
I begin to exhibit traits of the purist, though, feeling that without the originals in the mix somehow, that it's not real Star Trek. In the original, Spock would never have kissed Uhuru. What that had to do with building the story is beyond me. Just another case of selling a minimal story with maximal sex. Got no story? Throw in some love-making. That's what the great masses of world want. Can't get enough in their lives, so shove it at them in their books, TVs, and movies.
Can't even recall what the heck the story was in the new Star Trek without thinking very hard. That wasn't the way in the older movies, even the ones I didn't like so much. Nor in the series--at least till Enterprise. TNG, Deep Space 9, and even the marginally interesting (to me) Voyager all had storylines that they followed from beginning to end. Not in the way of a Babylon 5 epic, but very close.
My favorite Star Trek is still IV, subtitled the Journey Home, or something like that. And here are the reasons I like it:
>>The story is not dependent on superwowie special effects, but the effects used stand up to today's standards.
>>Even though the time is 1984, the movie doesn't date itself because the crew has gone back in time. This also saved them lots of money in creating sets of the past. The "past" represented in the movie was the present of 1984.
>>It stars a young Catherine Hicks, the mom on Seventh Heaven. She is hot.
>>The one thing I don't like on it: Lots of mild cursing, one not so mild. Nothing you don't hear on family hour television, but nothing you want to hear your four-year-old copying.
>>Anomaly: Hicks's character is a kind of tree-hugger, earth lover, but she drives a 1960s looking pickup that has to spit out more toxic material than any decent Honda of the era.
>>Odd:
The communicators of the 23rd century are bigger than cell phones of
the late 1990s. Plus, they make the same sound as Nextel's (now
Sprint's) push-to-talk devices.
A writing note: You have four or five distinct stories in this one movie. The 23rd century tale of mass destruction leads into the time travel to the 20th century, where three groups of two actors lead the viewer on three unique adventures that all come together in the end.
As a viewer, I'm helped to like the characters by having known them in the previous three movies and three years of television episodes. That's why I'm a little bit taken aback by changes to that original background in the new movie.
But as I've said ever since Voyager: Any Star Trek is better than no Star Trek.